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I've spent so much time yelling about Le Morte d'Arthur to people I know in real life as I try to read this thing, because it's ridiculous. But the people I know in real life are getting tired of it, so instead, I'm going to go through and post each chapter of this thing with incoherent annotations, because that might be the only way I get through reading it.

I'll probably be posting these semi-frequently over on the tumblr blog shitpost-arthurania, and will probably try to import them here on occasion, possibly in bulk batches of chapters, whenever I feel like manually formatting the HTML.

I am not a scholar of Arthurian Legend, just someone with a broad but very shallow knowledge of it. I am not an English major. It is likely that I will stop every sentence or sometimes every few words of this nonsense in order to yell. But if you'd like to join me for that journey, well, continue on below the cut!


Come with me into the land of being furious with Uther Pendragon )
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Current status of Le Morte d'Arthur read is beefing with Pellinore, who everyone keeps calling a really great guy and who repeatedly demonstrates by his actions that he is not actually a good guy at all. Not even close to a good guy, actually.

I guess that's somewhat the point of this, though: no matter what moral code you try to live by, we are all, in the end, horribly, fallibly human.

Pellinore's latest thing was haring off on his quest and ignoring a lady who was begging him to help her and the wounded knight she was sitting with, only to be sad (because she was so young and hot, you see) when he travels back past their corpses on his way back to Camelot. And there Merlin is, going "dude, that was your daughter, and she was going to marry that knight she was with, who would have been a great addition to the round table, but NO, you just had to ignore her!"

Which. Like. Okay, Sir Thomas Mallory. Why did you have Pellinore commenting on how young and hot his daughter was when he said he was sad she died. Also how many miscellaneous children does Pellinore have out in the world that he's completely unaware of. We're at two now.

Since part of the reason I'm reading this is Hexwood Reasons, it's also kind of funny imagining Merlin!Martellian looking at the outcome of this and crying about his reigner breeding program going awry ONCE AGAIN.
kadharonon: (Default)
Reading Le Morte d'Arthur continues, but very slowly, because all of these people are... just not very bright. These knights keep going on quests where they make the most boneheaded decisions possible, often when there's someone else there warning them that they're making a boneheaded decision.

Igraine remains at the top of the list of wronged Arthurian women who deserve to go on a killing spree, but honorable mentions include:
  • The nameless mother of Sir Tors, who was probably raped by Pellinore, who followed up this indignity by stealing her dog
  • The nameless woman Sir Tors stole a dog from, who knew dog-stealing was a trait that's nature, not nurture
  • The nameless damosel who was waiting to go on a quest with a guy who was then slain by an invisible knight, who then went on that quest with Balin instead, and was (a) forced to bleed a silver dish full of blood for a random woman they met on the way, and (b) then died when the castle the invisible knight was in fell on her head.
  • Lionors, an earl's daughter, who Arthur knocked up and then apparently just immediately forgot about
I'm sure there are others, but so few of them have names that they all kind of blend together.

In other news, I'm back on a tarot deck kick and considering another set of major arcana for the podcast Waiting for October. I need to comb through and figure out if there's enough support there for a full major arcana. But while I was thinking about that, my brain presented me with. well. are you ready for this.

Hexwood major arcana.

I've only got thoughts for a few, but so far:
  • Vierran as the Fool
  • Mordion as the Magician
  • Hume as the Hanged Man, maybe?
  • Reigner One as either the Devil or The Emperor
  • The Bannus as The Wheel of Fortune (unclear whether this should be separate from Yam)
  • Mordion and Vierran as the Lovers (obviously)
  • (Maybe Arthur's the Emperor? He's not a huge presence outside of Vierran's head for most of the book.)

Anyway, got to think about that one a bit more the next time I do a re-read, since I'm not entirely certain there are enough prominent characters to support a mostly-one-character-per-card style major arcana, but it might come close if I made some of the cards specific scenes instead. Like, the scene where they're trying to figure out what salve to fix Hume's eye with is very much The Magician.
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Reading Le Morte D'Arthur continues, but slowly. Sir Thomas Malory seems to have no sense of, like, the logistics involved in feeding massive armies, especially ones with horses, and keeps flinging around what seem to me to be absurd numbers of men on horseback, and also seems to believe that a yakety sax sequence of people being smote down horse and man in order to steal that horse for someone else constitutes compelling battle narrative.

But at least Uther only lasted two years after Arthur was born, and passed in such a way that I can imagine Igraine was slowly poisoning him, and Uther may or may not have had his corpse Weekend at Bernie'sed by Merlin to declare that Arthur was to be king after him (a fact which literally everyone at that gathering forgot immediately because let's be honest, Arthur is two years old and no one wants that as king or even knows where he's being fostered), so, like, good for Igraine except I'm pretty sure her life just immediately got that much worse.

Anyway. I have (sigh) three more chapters of this battle to get through, and anticipate a lot more of people getting smote down, horse and man. I anticipate having a vendetta against Sir Thomas Malory by the end of this.

Also I think it's very funny that Merlin was like "Hey, these two kings over in France are having a hard time against this other guy, I know, we should ask them to abandon their lands in order to come help you now so that you'll help them later!" Like. Why would they do that. There is no reason to do that. But here they are, getting smote down! Or smiting others down. It varies.

The fourth chapter of this battle is titled "Yet more of the same battle, and how it was ended by Merlin," which really makes the vibes of this entire section feel like "You can win an unwinnable battle against forces much greater than yours if you have a wizard on your side." Maybe the vibe will be different when I actually get there, who knows. I'm so tired of this battle.

Also, Bors has a godson named Bleoberis, and my brain went "Bleoberis from my shows," which just goes to show that I spend too much time on Tumblr.
kadharonon: (Default)
I keep telling myself I want to start using Dreamwidth more, so time to actually buckle down and start using Dreamwidth more. I suspect part of what's been stopping me is I just in general have less to blog about—my days are pretty samey, most of the time, and I've been re-reading things more than reading new things—but listening to the podcast Eight Days of Diana Wynne Jones has gotten me all hyped up again to go read some of the things she grew up with and had as reading material as a young child instead of books for, y'know, children.

In particular, I want to:
  • do a dive into Arthurian Legend, since I've been existing at a "broader knowledge than the average joe off the street but puddle deep" level of knowledge there since I was a teenager
  • read the rest of the Mabinogion, since we really only covered Pwyll in my Medieval Welsh course
  • read the assorted Icelandic sagas we didn't cover in my freshman year Scandinavian Mythology course 
  • read the rest of the Canterbury tales, I've only read a few of them
  • read the Faerie Queene
Anyway, currently reading Le Morte D'Arthur and no one has ever deserved to go on a murder spree as much as Igraine. I anticipate finding a new woman who deserves to go on a murder spree approximately every 50 pages of this sucker.
kadharonon: (Default)
And that is re-read Hexwood.

I was thinking about how Vierran jokingly asks her mother if she's a throwback to gnomes and is easily mistaken for a 12-year-old, and Mordion is described as tall even by people who aren't as short as Vierran and started thinking about the height difference, and so had to make a piece of art about it.

Art of Vierran Guaranty and Mordion Agenos from the book Hexwood

yeah. slowly being able to do things that bring me joy again, but also it takes a whole heck of a lot less to just completely knock me out of commission these days.

kadharonon: (Default)
And it is terribly annoying.

That is all.
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A post about the Locked Tomb series made me realize that there are things about the way the Locked Tomb presents its narratives that remind me very intensely of Hexwood, even if there's only a very small thematic overlap between the two, except now I'm imagining a Hexwood with 4 books worth of fucked up content.

someone help me
kadharonon: (Default)
I’m probably not going to write a lot of smutty bits in the Kit and Edie stuff, but I am playing with the idea of writing a bit of the awkward parts of these two sexually-inexperienced 30-somethings trying and failing to have good sex.
Read more... )
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I've been poking at this project—which I'm tentatively calling Langford House for now—for Camp NaNo, so here's some incomplete stuff from maybe the next couple of chapters and a snippet from later on.
 

 

Letty fusses over Edie:
 

Read more... )

 

 

Letty and Kit have a conversation (that needs fleshing out):
 

Read more... )

 

 

A conversation between Kit and Edie about reproductive autonomy, probably following after that previously posted conversation where she propositions him:
 

Read more... )
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This follows roughly after the last post. I don't have a name for this story yet, though I've been posting worldbuilding nattering and random character and story stuff over on my tumblr under the tag "kit and edie".


Kit frowned at the unconscious woman in his sitting room. He was used to people reacting with shock and disgust when they first saw his face, but this was, as far as he knew, the first time a woman had taken one look at him and immediately fainted. A lowering reaction, and one he had not been prepared for. He knew he was ugly, but was he really that terrifying to behold?

She seemed very young. He had taken her for one of Charles’ daughters at first, had wondered if it had really been that long since he had last seen his friend, though that impression had lasted only a moment. Charles had only been married for thirteen years; while the birth of his first daughter had followed his wedding with what some thought was unseemly haste, this woman was far too grown to be that child.

“Who is she?”

“Edie,” Charles said, as if it should mean something to Kit. “Trev’s wife,” he added when Kit gave him a blank look.

Ah, yes, Trevor had gotten married, hadn’t he? How long ago had that been? Kit gave Charles’ companion another look. She was not much to look at, truth be told. Taller than him—which was never saying much—and slim, girlishly so, with an unremarkable face framed by a smooth and severe bob. The only attractive thing about her was the perfect little bow of her top lip, and even that he suspected owed more to cosmetic enhancement than any natural charms she might possess.

He realized now how misleading that slender girlishness was. He had taken her as a very young woman at first, perhaps no more than twenty, and had been ready to judge Charles’ brother severely for it. But a closer look revealed weary little lines creasing her face, the sort that only came with both age and deep exhaustion. This was a woman barreling towards middle age with the rest of them, and as worn down by life.

“And why is she here?”

Charles looked at him as if he were stupid. “Couldn’t stay on the road any longer tonight,” he said, stating the obvious. “Figured you wouldn’t mind us here. ‘S what Great Houses are for, isn’t it?”

“Trust you to remember that old custom when you need something.” Kit sighed. Oh, he had no doubt that one of the housemen was already making up bedrooms for these two—Hiram was efficient like that, and would have seen to it after stowing their car—but it had been a long, long time since Langford House had seen any guests, and Kit feared that bed linens and blankets in good enough condition for guests were in short supply. They would probably have to settle for slightly shabby, with not-too-many holes. “And that wasn’t the question I was asking. What brings the two of you to this part of the country?”

Charles’ cheeks flushed, a clear sign he was about to lie. “Doing Edie a favor. She and Trev had a bit of a tiff,” he said, shrugging his large shoulders. “He decided to teach her a lesson and ran off. Last we heard of him he was somewhere up this way, carousing.”

Read more... )
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I'm still trying to figure out what Edie's narrative voice sounds like, and more details about her past. I suspect that her parents were government magicians, and they both died when she was still quite young because they were part of the government force that took out the last Great House that went mad.


Edie woke up from her nap with a start. At some point while she had been sleeping, it had gotten very cold in the car, to the point where even her fur coat and the wide stole it had come with couldn’t keep the chill from her bones.

“Sleep well?” asked her brother-in-law, Charles, unwarrantedly sarcastic.

Edie didn’t answer. Instead, she stared out at the falling snow, briefly mesmerized by the swirling flakes as the weak electric headlights of the car illuminated them. She put her hand to her throat and fingered the charmstone that dangled from the pearl necklace she wore. “I don’t think we’ll make Bitterford while it’s still safe to drive,” she said, eying the drifts that were already forming.

Charles sighed. “No,” he said bluntly.

“So are you going to do anything about it?” Edie swallowed hard and shut her eyes. That had been too much staring out the window.

“I’m not going to have another fight with you tonight,” Charles said, sounding exhausted. “So stop trying to pick one, all right?”
Read more... )
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This is an extension on some noodling I was doing earlier today that might be where this whole thing begins. I'm beginning to wonder if I'll actually be able to write this entire thing, but suspect I'm going to get bogged down some time in the middle, as Kit and Edie spend a month snowed in in Kit's Extremely Possessive house.


Kit Langford was not the sort of person who entertained. The house he lived in, large and old and inherited, had been built to host visitors, but these days most of the furniture lay beneath dust-cloths to ease the workload of his limited staff. If he could have rid himself entirely of that house and the expectations it brought with it, he would have. But Langford House was not so easily thrown off as that.

Some days, he wondered what would happen after his death. He had heard of old houses driven mad when their families died out for good, and the great workings that were necessary to lay them to rest. Langford House was not as old as some, but he was the last of the family line. Unless some by-blow came to claim it, Langford House would have no guardian, and the government that was so eager to keep him in place would likely have no recourse but to destroy one of the last Great Houses in the country, for the safety of all.

Even if he left it, it would still be his. A Great House devoid of its guardian could neither be safely leased nor sold to anyone not of its bloodline. So for now, he was bound to this place, by blood and inheritance, the last Langford of Langford House. And because he had never been the sort to go out into society, society did not come to him.

It was easier now than when he had been a child. Letters and telegrams had given way to telephone service; slow travel by carriage to railways and cars. He could conduct the business of maintaining the more liquid parts of his inheritance from a distance, and could demand that others came to him if they wished his company.

Not that anyone ever did, of course.

Langford House found it disappointing to so seldom be put to the use it had been built for. The Langford who had laid the foundation had had a large family; fourteen children, a half-dozen of whom made it to adulthood and produced children of their own. Langford House had been filled to the bursting in those days. But plague and war had taken their toll, until all that was left was Kit.

He thought that perhaps those long-ago Langfords would have given the whole business of creating a Great House up as the folly it was if they had known it was all going to end with him.

Because Kit Langford was never going to have a child of his own.


And here are some doodles as I try and figure out what Kit and Edie look like. Well, I already knew what Edie looked like; Kit's a work in progress.
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I started using the last name Langford for Kit, but Edie's going to name their daughter Katherine so that she's named after her father and I absolutely refuse to have something that could be read as a Stargate reference in this. But it'll work for a placeholder, so here's ~1200 words from the very end of this story, probably.


There was the distant sound of a car, the tires crunching on the gravel drive that lead to his front door. Kit sighed and sank back in his desk chair, tempted for a moment to let his housekeeper deal with whoever it was and send them on their way. But no, better to not be a coward; no matter how terrible he felt, no matter how much he ached from the sleepless nights of the past weeks, he could put a good face on it and greet whoever this was with equanimity.

He was still making his way down the stairs when he felt it: Langford House’s shock of recognition as Kit’s daughter passed beneath the lintel of its front door for the first time. It took a great deal of effort to not rush down the rest of the stairs, and only the knowledge that he was one false step away from injury in his current state was enough to restrain him.

Edie. It had to be Edie. She must have come in order to… to what? Confront him? Or perhaps...
Read more... )
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This started as a piece of fanfic, but is so far from the source material that I started trying to file the serial numbers off... and promptly lost interest in writing more after I got through a few small chunks of it. But there are still some things I like about it. The main characters are now named Manfred and Hippolyta.

An introduction to Manfred as a small child, circa 1940-something:


There had always been stories about the castle. Manfred had heard them from his parents, when his parents still lived. He had heard them from other students in school, whispers of ghosts, of lights seen in the middle of the night, of pale figures moving. The more foolhardy among his peers had dared each other to go there late at night, though he thought that none of them had ever actually been brave enough to do it.

The only person he had never heard the stories from was his sister. Renate had always laughed when he’d come to her with a new story, laughed and told him there was nothing there to fear but crumbling stonework… and if he knew what was best for him, he would stay away, and not risk injuring himself where there would be no one to find him.
Read more... )

Manfred meets Hippolyta:

Manfred glanced at his phone again. The last text from Renate’s friend, Hippolyta, said that she was on her way to meet him at baggage claim, but he couldn’t spot anyone nearby who looked anything like the photo Renate had shown him. Not that he would have expected her to look exactly like the photo—Renate admitted freely that it was from a party with a formal dress code and almost a decade old now—but the Black woman in the photo gave such an impression of glamorous abundance that she must surely stand out from a crowd, even if her hair and makeup and clothing were different.

“You Manfred?”

He jumped and turned around. The woman who had just spoken was short—she barely came up to his chin, if that—and dumpy, and dressed in the sort of baggy clothing he expected from a teenager… and, he realized on a closer look at her face, she was almost certainly the woman from the picture. “Hippolyta?”

She made a face. “Your sister still refuses to use anything but my full name, huh? I prefer Lee.”
Read more... )

An amusing interlude in the kitchen about feeding habits, once Lee's figured out that Mani's a vampire (which takes approximately 30 seconds after she gets him into her apartment):


“Could I, uh, get you something to drink? If you drink things that aren’t blood, that is,” Lee added in a rush.

“Do you have milk?”

“Nope. Afraid not.”

Manfred sighed. “Then just a glass of water. I have some dried milk in my suitcase. Not as good as the real thing, but...”

“Wait a moment, I’ve got some half-and-half. For my coffee. Would that do?”

Manfred clapped his hands together, looking gleeful. “Oh, very well, if I can warm it up a bit.”

Lee poured out what was left of the half-and-half into a mug. Hardly a cup’s worth. “Will this be enough?”

“I will want to follow it with some of the dried milk, but it will be much better than just dried. Thank you.” He kept himself at a cautious arms length from Lee and the silver rings she’d jammed on each finger as he picked the mug up off the counter. She watched for a moment, amused in spite of her own caution with him, as he popped it into the microwave and watched it heat up with the rapt gaze of a predator.
Read more... )

Sometime after they've been living together for a while, when Mani accidentally gets caught outside after the sun comes up:


Lee looked up, startled, as Manny slammed the door of their apartment closed. The sun had been up for a couple of hours at this point, and the day was blazingly hot, so she had assumed that he was already home and safely tucked away in his bedroom.

He stumbled into the living room and tried to fall onto the couch, but he must have misjudged the distance; he caught the edge of a cushion in his fall and wound up slumping to the floor instead. His face and arms—all of his visible skin—were flushed a sickly-looking pink.

Lee stayed the impulse to rush to his side long enough to pull some cold packs out of the freezer. “Jesus, Manny. You sunburnt?”
Read more... )
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Melissa’s computer was staring at her.

Or at the very least, she felt like it was. It didn’t help that the servers used to store the large data sets needed for governmental workings tended to get a bit, well, weird after a few years, and this weirdness had a tendency to bleed through to the computers hooked up to the network. Some of the computers used directly in finance magic got downright snarky; her friend Freddie from over in tech support had admitted that installing new software was more about negotiation than a straightforward routine with those machines, and had decided she didn’t know how the finance wizards could deal with it on a day-to-day basis. Out of curiosity Melissa had asked one of them, a spacey young man named Nathan she ran into at the water cooler from time to time, and he’d only shrugged.

“Yahnno. I jus’ do. ‘S only a framework for the spells, yahnno?”

Being a secretary hired more for her typing speed and skill at deciphering the often-atrocious handwriting of wizards and less for any sort of aptitude with magic, Melissa really didn’t know, but decided it was more polite to nod and smile than try to get any sort of real-person explanation out of a finance wizard. Even Freddie’s magitech jargon could be a bit much sometimes, so Melissa didn’t really want to know how much more complicated it could get when actual workings were involved.

The feeling that her computer was staring increased. Melissa glared at it testily. “What?” The feeling subsided a little, but was still there, a mild buzz in the back of her brain like the barely-audible noise made by old CRT televisions when the screen was on. Melissa let out an irritable huff and picked up her phone, dialing Freddie’s extension.

“Technical support, this is Frederica speaking, how may I help you?”

“Freddie, my computer is staring at me.”

“Ah.” There was a short pause on the other end of the line. “Have you tried turning it off and on again?”

“FREDDIE.”

“Sorry, sorry! Well, d’you want me to come up and have a look at it, then?”

“If you’ve got time, yeah. Is this normal?”

“Normal doesn’t really come into the picture for machines in this building. I’ll be right up, though, just need to drop this external hard drive off by Public Services along the way, ‘kay?”

“Okay. See you in a few.” There was a click on the other end, and Melissa set down the receiver, giving her computer another glare to scare it into submission.


------

Anyway I feel like I need to figure out what to do with this, but I have no idea if there's an actual story attached or if it's just a couple of scenes and a peek into this world.
kadharonon: (Default)
Reading through some old NaNo/Camp NaNo stuff for anything I want to work on, and found this conversation which I quite like even if the rest isn't salvageable. Context is an unattractive but extremely wealthy woman in her 30s who has never been married who has been trying to convince a man to be her lover:

"I have some caveats."

"Certainly. I have no wish to make this an unpleasant experience for either of us. You should feel free to make whatever demands are necessary for your comfort."

"Very well. Number one, then, is that I am incapable of intimacy with a woman I am insufficiently acquainted with. We would need to spend at least a few weeks getting to know one another."

"I shall send you my schedule."

"It's that simple?"

Priscilla shrugged. "For me it is."

"Very well. Number two is that, even if we become intimate, you must not expect marriage to be the ultimate outcome."

"Good lord, of course not. I'm looking for a lover, not a husband."

"Good to know that we are both in agreement on that matter. Number three, then: I have no need of money or love trinkets or anything of that sort, if you were thinking of producing such items for me."

"Well, I had heard that gentlemen treat their mistresses to expensive jewelry."

"No jewelry, I beg you."

"A pity. I had my eye on a particularly spectacular quizzing glass studded with diamonds."

"Heaven forbid."

"I shall have to assuage my urge to purchase incredibly tacky jewelry in some other fashion, then."
kadharonon: (Default)

Mir asked if I had any more of that last thing I posted, and so I went digging in NaNo folders because I knew I had more of it somewhere. Turns out I did name those two characters at some point; the woman is Edie and the man is Kit. Edie's husband is named Trevor, and Edie's brother-in-law, Charles, is Kit's friend.

The general gist of it is that Edie's an heiress of some sort, married to Trevor, her money supports the family business, she wants a divorce but Trevor's the only one who can start the divorce proceedings and unless she has a kid with him, all the money goes away when she does, whereas if they have a child, there's an equal split. Trevor can't bring himself to even try with Edie because he just can't get it up for women, Charles spends all his time keeping track of Edie because the last thing he wants is a bastard child inheriting stuff from his family, so everyone is stuck and very unhappy about it. Trevor gets sick of it and runs off with his boyfriend, Edie's like "Yay, surely he'll give me the divorce now," Charles drags Edie off to hunt Trevor down, they end up stuck in the snow near Kit's house, and Charles has the bright idea of, being like hey, guess what, my friend Kit is extremely honorable and wouldn't sleep with Edie and he'd keep an eye on her if I asked him to, plus Kit's so damn ugly he won't tempt her at all, and this search would go faster without Edie, so time to dump Edie on Kit!

And then, because this is probably a romance novel, this goes horribly wrong for Charles.

A snippet of Kit meeting Edie for the first time:


Read more... )

Edie finding out that Charles found Trevor and convinced him to come back to her for the sake of the family:


Read more... )

Charles runs in to Kit about, oh, nine or ten months after Trevor goes back to Edie:


Read more... )

And some assorted snippets from after Edie comes back to Kit:

Read more... )
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I haven't really been using Dreamwidth for much, but thought I might as well start posting some random snippets of original work. This is something from one of the past few NaNos; I don't have names for the characters, but it's set in (I think) a 1920s-ish fantasy world, and the woman has what are colloquially known as elf-shot eyes, which are a grey so pale as to be unsettling and considered to be unlucky.


“My husband left me for a man,” she said.

“Did he.”

“Yes.”

“When?”

“Last week.”

“And why are you telling me this?”

She laughed, a high, tinkling thing with no humor in it. “Why, I suppose because after this weekend I’ll never see you again.”

“I see.” He paused and considered her. She looked fragile at the moment, on the verge of snapping, and he couldn’t tell what she needed more: to be swaddled up safe from her own fragility, or to be allowed to snap, allowed to yell and hurl things, allowed to discard all those womanly graces that society foisted upon her, even if only for a short while.

Read the rest )
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I've been thinking about trying to use Dreamwidth more. It's been... probably more than a decade? since I completely abandoned my Livejournal, and I never bothered figuring out how to export stuff to Dreamwidth. (Given that my Livejournal covers my teen and college years, and my emotional state back then was incredibly fraught, plus I typed like The Internet Back In The Mid 2000s in it, I can't say that this is much of a loss.) But I'm not sure I really get long-form blogging any more. (I'm not sure I got it back then, either, but the internet was still young enough back then that it didn't really matter.)

It's probably a bad time to try and start up anything new, given that I'm currently in the middle of the busiest time of year for work, but if I can get it to stick as a habit now, maybe it'll actually stick. Not sure what I'll actually blog about, so if you're reading this, chances are you're about to get a bunch of thoughts about absolute nonsense.

I've managed to hack out a surprising amount of fanfic over the past week, given how busy I've been, but it is 100% me writing things for the dumpster fire account where I keep all of the stuff for the canon/OC pairing that I can't quite seem to escape writing. I keep telling myself that, on the plus side, I'm probably more than a million words in on these two at this point, and my writing has improved IMMENSELY over the past three years, so in theory it's great practice for one day going back to trying to write original stuff, but that theory only holds water if I ever actually manage to write about something other than them. But since the 20th, I've managed to get about 14K on assorted fics into a good enough shape to post, so that's... well, that's something.

Art's been hard the past... I'm going to say month. I probably need to spend some time just drawing from reference, or going and actually using that discounted Skillshare subscription to learn some new art skills, because I'm feeling a bit stagnant.

I'm not really ready to dip my toes into the fandom (other than throwing the occasional piece of fanart out into the void), but I've recently been enjoying Dimension 20 a great deal. The long-form Actual Play shows and podcasts are really hard for me to concentrate on, but Dimension 20 seems to have the right level of editing and right arc length for me to actually finish watching seasons of it.

And hey, it's not like I'm actually in the fandom for the thing I'm currently creating lots and lots of content for; most of the people there seem to be at least a decade younger than me, and it is... often hard to relate to them. Like, I'm usually fine on a one-on-one basis with specific individuals; it's when it's the entire fandom as a whole that seems to skew college-aged and younger that I start to have... issues. That, and my favorite character is much reviled by the fandom, while several fandom faves are characters I cannot stand, so it's just much easier to sit in my little corner and create content that, for the most part, stays out of the fandom tags on Tumblr and Instagram. But I guess that's part of curating one's feed on those sites; only following those things that are actually bringing joy.
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